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 Having just split with her husband of 10 years, Karen and her daughter Rebecca have bought a home in a picturesque little country town, in hopes of starting over. The people are warm and welcoming, and the old farmhouse is nice and affordable. But before long, Karen and Rebecca begin to experience troubling disturbances; noises in the walls wake them from sleep, while Rebecca keeps insisting there is an animal in the walls with “red eyes.” The disconcerting truth begins to overwhelm Karen… something wicked is afoot. Watcher tells the classic “monster in the closet” story with a twist – the horrifying ending will be sure to shock you. Click the link for the trailer.

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The Old West, late 1800’s, Elizabeth has just been thrown from her horse. Injured and disoriented she wanders into a deserted town where she passes out from exhaustion. She awakens to find herself amongst a small group of people. Together they soon realize that they aren’t alone and this is no ordinary town. When the sun goes down they must confront a dark force and the ghosts of their sinful pasts. Has fate led them here? Combining elements of the western with suspense and gothic horror, Dead West is a journey into darkness that must be experienced. The film was shot on location at the Johnson Canyon movie set, now an actual Ghost Town in Southern Utah. Click the link for the trailer.

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Every filmmaker needs to tell their version of the “hitman” story, Terminal is ours. Written by my oldest brother David, with music by my middle brother, Michael, Terminal was a fantastic collaborative experience – an experience we all shared again the next year on Dead West. Terminal will always hold a special place in my heart. Special note should be taken for Jan Knightley, who turned in an amazing performance as the hitman. I used Jan again the next year as the Preacher in Dead West. Click on the link to hear the awesome spaghetti-westernesque main title composed by my brother, Michael Sasich, as well as one other cue from the film.

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My first collaboration with Director of Photography Bernard Evans (who has shot every film of ours since), Lucid Days was an experiment with non-linear narrative story telling. I had just seen Momento and wanted to tell a flashback-heavy story. The story finds an intern for a major corporation witnessing a murder after work, and falling victim to severe paranoia. Although the finished product was rough, it did pick up “Best Student Film” awards at the Hampton’s International Film Festival as well as the Ojai International Film Festival.  

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Insanity was one of my first short films. I wanted to make a thriller al la Psycho in black and white, in which I could experiment with mood and tension. The finished piece was a mild success, and helped me meet a whole new group of collaborators.